CAPTURE ONE STYLES SEASONAL SERIES

вЂњTo truly understand the Barahmasa series, one must go through every portrait and witness the gentle transformation in the landscape and the behaviour of the lovers. In most Indian styles, the nayak is Krishna, easily identifiable by his distinctive blue complexion and his nayika is Radha. All the portraits are composed around a couple - the nayak (hero) and nayika (heroine) - and resonate with graceful sensuality, colour and the music of their love their urges and pains are shared by the animals, trees, birds and the blossoms. The Barahmasa paintings are essentially reflections on the state of lovers with each passing month.

Love lies at the core of the human experience, and from it spring myriad other emotions. The descriptions of the seasons in Barahmasa poetry are so distinctive and vibrate with such an intensity that one can easily visualise the moment,вЂќ says Kangri.

CAPTURE ONE STYLES SEASONAL SERIES

Most Barahmasa series in our region take after KeshavdasвЂ™ anthology of poems, Rasikapriya. вЂњIвЂ™m from Kangra and follow the Pahari style. However, the Barahmasa series is unique in its poetic inspiration and sequential seasonal order, and several paintings are accompanied by text in the Devanagiri script either on or behind the canvas. For instance, portraits of the rainy season could depict dark clouds, flashes of lightning, rows of white storks flying in the sky, animals sheltered in caves and dancing peacocks. The Chitrasutra - an ancient Indian treatise on art - contains detailed guidelines for representing the different seasons it instructs artists to capture their distinctions through the form and appearance of flora and fauna, and the moods and lives of people. Krishna eventually left his beloved in Gokul and moved to Vrindavan, making this a tale of love that lends itself effortlessly to the Barahmasa paintings, where romance is tinged with separation, sorrow and selflessness. It became more ornamental and religious symbolism was introduced, and the portraits now typically depicted the love between the divine cowherd, Krishna and his mortal consort, Radha. However, subtle differences were introduced into the art form as it perpetuated even after Mughal rule declined. Visiting rulers and chieftains from all these territories often spent several days in the courts of the Mughals and were introduced to the aesthetic richness of their art, which they carried back with them. Deccani art evolved under the Deccan sultanates in south-western India, while the Pahari style originated in the Himalayan kingdoms of North India. The Rajasthani or Rajput style flourished in the royal courts of Rajputana, which included present-day Rajasthan as well as parts of Madhya Pradesh and Gujarat. You can find the Barahmasa series in Rajasthani, Deccani and Pahari styles.вЂќ Artist Balbinder Kangri elucidates, вЂњThe Mughals were great patrons of art and their studios have left an indelible impression on Indian art.

Some of the earliest Barahmasa paintings are Mughal miniatures dating back to the 16 th century. Their stunning verses have inspired some of the most brilliant Barahmasa paintings in miniature art.

This is the poetic genre of ritu varnan (portrayal of the seasons - summer, monsoon, autumn, pre-winter, winter, spring), and poets ranging from Kalidasa and Keshavdas to Bulleh Shah have resorted to it. It typically speaks of viraha, or separation from oneвЂ™s beloved, and how changes in nature can affect a lovelorn heart. The tradition of Barahmasa has been long accepted as a genre of poetry - essentially romantic and overflowing with emotion.

The cycle of seasons has always held great sway over literary imaginations, and the paintings of Barahmasa - вЂbarahвЂ™ meaning 12 and вЂmasaвЂ™ meaning вЂmonthвЂ™ - capture this rich tradition in stunning miniature art. Is oft disturbed by plunging bathers, faint In Ritu Sanhara or Assemblage of Seasons, Satyam JayatiвЂ™s translation of Sanskrit poet KalidasaвЂ™s opulent ode to the six Indian seasons, Ritusamhara, he interprets the opening lines which speak of summer:Д«urns through the day, till pleasant nightД¬ool and refreshing spreads its sable veil.

Capture one styles seasonal